Resonus Classics

This is a truly important release, all premiere recordings of works composed between 2014 and 2019 by a master craftsman. — Gramophone Magazine, May 2022 More…

All in all, this is a rewarding release of utterly idiosyncratic music, eloquently played and cleanly recorded. — BBC Music Magazine, Christmas 2021, 4 out of 5 stars (Performance) / 3 out of 5 stars (Recording) More…

The playing of the Presteigne Festival Orchestra lacks nothing in commitment, directed by Vass with unfussy attention to detail. — Gramophone Magazine, October 2021 More…

A crisp and vivid evocation of the milieu of Venice, 1629. That was the year Heinrich Schütz went to Venice and encountered the music of Monteverdi and his acolytes. The playing is faultlessly... — BBC Music Magazine, October 2018, 4 out of 5 stars More…

Every note’s function [is] painstakingly thought through...It’s true that there’s not a lot of recorded competition when it comes to this repertoire, but even if there were I’d wager this would... — Gramophone Magazine, February 2020 More…

whatever the music, the forthright and sympathetic approach of tenor James Geer and pianist Ronald Woodley always makes listening a pleasure. Geer means and feels every word he sings...Through... — BBC Music Magazine, July 2023, 4 out of 5 stars More…

Sibelius as proto-minimalist – well, why not?...It’s not just the cool, spacious recorded sound…or even the way Kemp clarifies and layers Sibelius’s string sound. It’s the way he shapes and... — Gramophone Magazine, June 2018 More…

The most attractive aspect of this release is the free recreational sense of friends spending a Sunday evening together, getting high on caffeinated concertos. — Gramophone Magazine, October 2023 More…