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Fischer gets his orchestra to play with fierce intensity, so that works which usually seem accomplished but conventional take on a fresh complexion. — BBC Music Magazine, April 2010, 5 out of 5 stars More…

Fischer appreciates the importance of a secure bass-line...[he] and his enthusiastic Danish players imbue this youthful music with spirit and energy; they make the most of what's in front of... — Gramophone Magazine, November 2013 More…

Fischer grabs instant attention...turning the first-movement Allegro assai into a curtain-raiser of a kinetic excitement that could have run away with itself. But Fischer is in unqualified control,... — Gramophone Magazine, February 2013 More…

doubts don't seem to trouble Adam Fischer, infectiously alive to interpretative possibilities, a positive feel for style (violins are separated) and a sharp ear for ensemble balance...Fischer's... — Gramophone Magazine, December 2011 More…

The Milan premiere of Lucio Silla, on Boxing Day 1772, was a near-fiasco: ham acting from the last-minute tenor and the prima donna in a sulk. But from the second performance Mozart's second... — Gramophone Classical Music Guide, 2010 More…

The new set possesses notable features...excellent modern-instrument orchestra, the graceful, versatile and touching Henrietta Bonde-Hansen as prima donna, and - greatest strength of all -... — BBC Music Magazine, May 2010, 3 out of 5 stars More…