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Contents
- Introduction
- 1. Between nationalism and the avant garde: defining British modernism
- 2. Post-war motifs
- 3. Manchester avant-garde: Goehr, Davies and Birtwistle to 1960
- 4. A Manchester generation in Paris, London, and Rome: Musgrave, Maw, Crosse, and Bennett
- 5. Group portrait in the sixties: Davies, Birtwistle and Goehr to 1967
- 6. Instrumental drama: Musgrave and Birtwistle in the sixties
- 7. Vernaculars: Bedford and Souster as pop musicians
- 8. The incurably heterogeneous Tim Souster: between Elektronische Musik and pop
- Epilogue.