Studies in the Printing, Publishing and Performance of Music in the 16th Century
- Author: Boorman, Stanley
Book
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Contents
- Contents: Introduction. Printing: The 'first' edition of the Odhecaton A
- Petrucci's type-setters and the process of stemmatics
- A case of work and turn half-sheet imposition in the early 16th century
- Printed music books of the Italian Renaissance from the point of view of manuscript study
- The Salzburg liturgy and single-impression music printing. Publishing: Early music printing: working for a specialized market
- Some non-conflicting attributions, and some newly anonymous compositions, from the early 16th century
- The music publisher's view of his public's abilities and taste: Venice and Antwerp. Performance: Notational spelling and scribal habit
- False relations and the cadence
- Two aspects of performance practice in the Sistine Chapel of the early 16th century. Indexes.