SACD
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hugely impressive in that you simply can't tell Sudbin's playing apart from that of his 12-year-old daughter Bella...I’d have been happy for a complete sequence of original Tchaikovsky pianism,... — More…
Awards:
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Gramophone Magazine, April 2023, Editor's Choice
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Gramophone Magazine, Critics' Choice 2023
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Great Works for Flute and Orchestra Sharon Bezaly (flute)
Residentie Orkest Den Haag, Neeme Järvi
[the Nielsen] merits the supreme artistry that Shraon Bezaly brings to it, both in terms of deft, discerningly harnessed virtuosity and in her supple, sinuous shaping of the music. Neeme Jarvi... — More…
Awards:
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Gramophone Magazine, November 2013, Editor's Choice
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Gramophone Awards, 2014, Shortlisted - Concerto
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Doppio espressivo Rick Stotijn (double bass), Johannes Rostamo (cello), Olivier Thiery (double bass), Bram van Sambeek (bassoon)
Camerata RCO
The recording’s playful title, Doppio espressivo, brings to mind the dark intensity of a double espresso and, certainly, the group’s high-octane playing on dusky-hued double basses, cellos and... — More…
Awards:
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BBC Music Magazine, January 2023, Concerto Choice
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Heroines of Love and Loss vocal chamber music from the 17th century
Ruby Hughes (soprano), Mime Yamahiro Brinkmann (cello) & Jonas Nordberg (lute / theorbo / archlute)
Ruby Hughes’s soprano has an effortless beauty: pliant, subtly expressive, never forced. She captures the chaste fervour of the sacred works…Brinkmann and Nordberg proffer aptly spontaneous... — More…
Awards:
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Gramophone Magazine, May 2017, Editor's Choice
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The organ has a really gutsy, symphonic core... Jan Kraybill... plays with considerable verve and a feeling both for colour and for the grand gesture. — More…
Awards:
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Grammy Awards, 62nd Awards (2019), Nominee - Best Classical Instrumental Solo
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Of the three more substantial items, the two most familiar [Le Cid and the Scenes pittoresques]...are played by Neeme Jarvi and his Swiss orchestra with infectious panache and finesse. — More…
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The SACD sound is first-class and the booklet notes by both artists attractive, not least in drawing attention to the great artists of the past whose performances and arrangements are saluted... — More…
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If I were to sum up the special quality she brings then it would be her purity and directness. Take the Elgar title-piece, which comes without a hint of whimsy, coquettishness or vulnerability... — More…
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