Rachmaninoff - Prelude Op. 23 No. 4 in D major
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Her playing is classy, navigating a fine path between virtuosity, poetry, structural awareness and idiomatic style. There's a velvety lyricism to her Liszt and she's fearsome in the Schubert. — More…
Awards:
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BBC Music Magazine, Instrumental Choice
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BBC Music Magazine, December 2010, Instrumental Choice
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BBC Music Magazine Awards, 2011, Newcomer of the Year
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Awards:
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Building a Library, March 2006, First Choice
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BBC Music Magazine, April 2005, Disc of the month
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Penguin Guide, Rosette
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a very impressive disc it is...her technique sounds flawless. — More…
Awards:
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Gramophone Awards, 2014, Editor's Choice
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Sudbin offers an attractive selection of solo works…Medtner’s own Prologue to Op. 1, a tintinnabulation of Russian-style bells accompaying Orthodox-style chant, is a charming opener…[he is]... — More…
Awards:
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Gramophone Magazine, February 2016, Editor's Choice
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Presto Recordings of the Year, Finalist 2016
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Weekend Classics - A Rachmaninov Weekend
Includes Rhapsodie on a Theme by Paganini op. 43, Prelude op. 23 No. 4, Vocalise plus excerpts from Piano Concertos Nos. 2 + 3
Vásáry, Berman, Maisky & Gililov
London Symphony Orchestra
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Rachmaninov: 'Paganini' Rhapsody, 6 Preludes & 'Corelli' Variations
Tamás Vásáry (piano), Lazar Berman (piano)
London Symphony Orchestra, Yuri Ahronovitch
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Medtner & Rachmaninov: Piano Concertos
Jayson Gillham (piano)
Melbourne Symphony Orchestra, Benjamin Northey
The young Australian pianist is the most persuasive of advocates for Medtner's neglected First Concerto, his bright timbre and judicious use of rubato keeping the lush Romanticism of the first... — More…
Awards:
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Presto Editor's Choice, August 2017
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Je n'aime pas Rachmaninov, mais ça j'aime bien !
Khatia Buniatishvili (piano), Czech Philharmonic Orchestra, Brian Asawa (countertenor), Academy of St Martin in the Fields, Alexis Weissenberg (piano), Ruth Laredo (piano), Arcadi Volodos (piano), Dmitri Alexeev (piano), St. Petersburg Philharmonic Orchestra, Yefim Bronfman (piano), Emanuel Ax (piano),...
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